Muffy Wilson

Hi my name’s Margaret Daly, I’m a mother, professional Freelancer, blogger, an author and a marketing specialist with Rukia Publishing.

Source: Muffy Wilson

I read this book and reviewed it as well. Here is what I thought of it:

This piece really reflects Pablo Michaels’ creativity. His string of word choices is clever and wraps the scene in vivid visuals. The imagery is sublime. Who is the old man, the stranger, and what does he have to do with Jack and his mother? Pablo has cleverly added poignant character depth by infusing some of Jack’s genesis, his family, parents and farm life, even expanded upon it to describe the hardship which was the reason the cow was traded in the first place.

We have a strumming and artful gold harp—delightful—a young man running into forest. When they run into the thicket, do they meet all the other naked men? Are they slaves of the Giant? The panic and fright caused by the Giant was wonderfully underscored in his careful descriptions. I love these, ‘rumbles of thunder’, ‘like a fox on a hunt’, ‘where daylight became dimmer’. Also his use of the ‘thump, crunch’ and the cackling hen really added an element of tension and heart pounding pursuit that was so tangible.

 

This was a cleverly layered piece that I think was a bang on perfect tie-in for the original fairytale story. Pablo adds depth to their situation and tragedy, multiple layers of tension and understanding. I love the fairytale as a child. I love this story as an adult; just love it. It is a well-crafted, beautifully developed, very sensuous taste of adventurous youth that just kept getting better. To the hilt: delicious, decadent and delectable.

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